The rise of OTT (over-the-top) streaming platforms has transformed indie film distribution. No longer do filmmakers have to wait for a limited theatrical release or hope for a studio pickup. Now, VOD and OTT give them direct-to-consumer routes that bypass traditional gatekeepers.

But not all platforms are created equal. Big streamers often bury indie films under endless commercial titles. That’s why niche curated platforms matter. NoBudge, for example, has become known for spotlighting low-budget, experimental work—films that would never land on Netflix’s front page but find passionate audiences in curated spaces.

Similarly, platforms like Filmatique combine streaming with thoughtful essays and interviews, giving context that enriches the viewing experience. It’s not just about showing films—it’s about cultivating a community of cinephiles who understand their value.

For filmmakers, this means more than visibility. Curated OTT platforms offer better economics too: clearer revenue splits, direct licensing, and brand alignment that elevates rather than dilutes their work.

At The Film Dispatch, we’re building on this model. We don’t just want to be another digital shelf—we want to be a curated marketplace where films connect directly with audiences and investors, ensuring both cultural impact and financial sustainability.

The lesson is clear: in an age of infinite content, curation is distribution.